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Maskara : Bursting Midnight Enchantment – Artist Edition Adult Coloring Book + 1 mini poster, spiral bound, single sided, perforated pages, toothy paper

By: Mardel Rubio

Rating: 5 of 5

I will include both a silent flip-through video of the entire book as well as some sample photos so you can see if this coloring book will suit your needs.

I have enjoyed Mardel Rubio’s coloring books for quite a while. My first books from him were in a doodle creature style. While Maskara is not in that style as much, I do see some evidence of the doodle elements in this book which were missing in Mr. Rubio’s recent Sirena coloring book. The focus of the designs in this book is on masks. While most of the figures are those of lovely females, there are a few men in the mix of designs as well as a really cute cat and a great owl design (based on which I’d love to see an animal book by this designer!)
The designs are detailed and some have intricate and small areas to color. Most of the pages are black line designs on white; however, some have black printed backgrounds. Once again as in Sirena there is a fairly heavy use of black on some designs though in this case, it is the backgrounds. The lines of the designs are a heavy black as well.
Phoenix Amulet (the publisher) has indeed set the bar high for other publishers to try to match. The paper a good heavy weight with good tooth for colored pencils. The designs are printed one-sided, the pages have excellent perforations and, best of all, has a covered spiral binding that makes it easy to open and lay this book flat for coloring. The only improvement I could suggest would be a framing line at the outer edges of the design so that I don’t have to try to color at the edges of the page.
This is what I found in coloring in this book and testing my coloring medium on the paper
41 Mask inspired designs including one poster page that is a double size fold-out page.
Printed on one side of the page
Paper is white, medium/heavy weight, rough with excellent tooth and perforated pages
Binding is spiral with the cover protecting the spiral.
The book lays flat in the open position for ease of coloring.
The designs stop short of the perforations and removing pages is very easy if you wish to do so. There are unfinished elements at all edges of the page
Alcohol based markers bleed through this paper. If you use this coloring medium, I highly suggest that you either remove pages before coloring, or as I do, use card stock or several sheets of paper as a blotter below the working page. That will keep the pages or the surface below from being marred.
Water based markers, India ink pens and gel pens do not bleed through the paper though some left the slight shadow of the back of the page.
Coloring pencils extremely worked well. The paper is definitely rough to the touch and has excellent tooth for pencils. Both oil and wax based pencils worked very well for providing good pigment. I was able to layer the same color for deeper tones, layer multiple colors and to blend easily using a pencil style blending stick as well as wet blending medium for excellent results.

Alice’s Whimsical Journey in Wonderland – Adult Coloring Book: Inspiration, Relaxation, Meditation, Adventures, Zen

By: Julia Rivers

Rating: 5 of 5

This is a really cute coloring book interpretation of Alice in Wonderland. It is definitely different from any Alice coloring books that I own (and I own several of them being a fan of the story.) The illustrations by Ksenia Spirina follow the story well and have Alice as a sprightly young girl with almost a puppet type look to her face. She has round circles for cheeks and a rounded wedge shaped nose. The other characters are cute as well even the mean old queen. There are a couple of wall-paper style designs in the books but not that many and they are cute as well.

It appears that Okami Coloring and Storytroll publishing companies are somehow connected as they list both publishers books at the end of this book. I really appreciate the quality of their artists though the CreateSpace paper always leaves something to be desired. I also appreciate that they have included the actual artist’s name though they seem to be developing a specific name (Julia Rivers) to cover the coloring books they deliver. This is similar to what another publisher has done with the name Jade Summer.
The designs are detailed but do not, for the most part, include intricate elements with lots of tiny spots to color.
This is what I discovered while coloring in this book and testing my coloring medium on the paper:
40 Alice in Wonderland designs in an imaginative and fun style
Printed one side of the page
Paper is typical inexpensive quality by CreateSpace printing: white, thin, slightly rough and non-perforated.
The designs do not merge into the binding. While there is no framing line at the outer edges of most of the designs, the elements at the edges are finished so it is easier to color.
Glue Binding
Alcohol-based markers bleed through the page quickly.
Water-based markers bleed through in spots.
Gel pens and India ink pens leave shadows on back of the page. India ink can bleed through if you apply heavily or multiple coats.
Coloring Pencils work well with this paper. I found that I could layers the same color for deeper pigment or multiple colors and I could blend easily using a blending stick. I tested both oil and wax based pencils. I also found that hard lead pencils leave dents through the paper.
I like to use a blotter when working in the book. I use a page of card stock or several sheets of heavyweight paper under my working page. It keeps seeping ink and marring dents from ruining the pages below.

Adult Coloring Book: Magical Owls: The Amazing Compendium of the Wizard’s Owls

By: Julia Rivers

Rating: 5 of 5

Magical Owls is a great coloring book of designs by Alina Marchenko. Her owls are different from others that I have seen and are placed in interesting scenarios. From geometric to steampunk to even being used a ladies hats, the owls are a refreshing change from many of the stock designs that appear in other coloring books.

It appears that Okami Coloring and Storytroll publishing companies are somehow connected as they list both publishers books at the end of this book. I really appreciate the quality of their artists though the CreateSpace paper always leaves something to be desired. I also appreciate that they have included the actual artist’s name though they seem to be developing a specific name (Julia Rivers) to cover the coloring books they deliver. This is similar to what another publisher has done with the name Jade Summer.
The designs are detailed but do not, for the most part, include intricate elements with lots of tiny spots to color.
This is what I discovered while coloring in this book and testing my coloring medium on the paper:
40 Owl designs in a wide variety of styles and scenarios
Printed one side of the page
Paper is typical inexpensive quality by CreateSpace printing: white, thin, slightly rough and non-perforated.
The designs do not merge into the binding. While there is no framing line at the outer edges of the designs, the elements at the edges are finished so it is easier to color.
Glue Binding
Alcohol-based markers bleed through the page quickly.
Water-based markers bleed through in spots.
Gel pens and India ink pens leave shadows on back of the page. India ink can bleed through if you apply heavily or multiple coats.
Coloring Pencils work well with this paper. I found that I could layers the same color for deeper pigment or multiple colors and I could blend easily using a blending stick. I tested both oil and wax based pencils. I also found that hard lead pencils leave dents through the paper.
I like to use a blotter when working in the book. I use a page of card stock or several sheets of heavyweight paper under my working page. It keeps seeping ink and marring dents from ruining the pages below.

Alice’s Nightmare – Adventures in Wonderland – Adult Coloring Book: (Horror, Halloween)

By: Julia Rivers

Rating: 5 of 5

I am a fan of Alice in Wonderland and Through the Looking Glass coloring books. In this version, the artist (Shalla Mar N. Mugot) takes us on a journey that presupposes that Alice’s daydream has turned into a nightmare. The illustrations stay true to the original story in spirit but present the journey with scary characters. It makes for an unusual look at a well-known story. I don’t recommend the coloring book for young children (both for content and detail) but adults should have no problems with the images. Be sure to check my silent, full-book video to see if this coloring book will work for you.

The publishing company (Storytroll Studios) seems to have a partnership of some sorts with Okami Coloring as their books are listed together on the back pages of this coloring book and on Storytroll’s website.
Whether they are partners or Okami is working under a new name is fine with me. I really appreciate the quality of their artists though the CreateSpace paper always leaves something to be desired. I also appreciate that they have included the actual artist’s name though they seem to be developing a specific name (Julia Rivers) to cover the coloring books they deliver. This is similar to what another publisher has done with the name Jade Summer.
The designs are detailed but do not, for the most part, include intricate elements with lots of tiny spots to color.
This is what I discovered while coloring in this book and testing my coloring medium on the paper:
40 Designs inspired by a nightmare version of Alice’s Adventures in Wonderland
Printed one side of the page
Paper is typical inexpensive quality by CreateSpace printing: white, thin, slightly rough and non-perforated.
The designs do not merge into the binding and have a framing line around the outer edges.
Glue Binding
Alcohol-based markers bleed through the page quickly.
Water-based markers bleed through in spots.
Gel pens and India ink pens leave shadows on back of the page. India ink can bleed through if you apply heavily or multiple coats.
Coloring Pencils work well with this paper. I found that I could layers the same color for deeper pigment or multiple colors and I could blend easily using a blending stick. I tested both oil and wax based pencils. I also found that hard lead pencils leave dents through the paper.
I like to use a blotter when working in the book. I use a page of card stock or several sheets of heavyweight paper under my working page. It keeps seeping ink and marring dents from ruining the pages below.

Mandala Coloring Book: 100 Magical Mandalas

By: Jade Summer

Rating: 5 of 5

This is my first coloring book of mandala designs by Jade Summer. The artists that illustrate the books under this name are a wide variety from human forms to more geometric designs, such as this book of mandalas. I cannot tell if a single artist is responsible for the designs in this book but a number of them seem to be done in similar styles.

The mandalas are in circular style format. There are geometric designs with straight lines, curving designs with elegant flowing lines and designs which include animals and insects as the main focal point. It is a really nice mix for those who love to color mandalas. I have a few mandala books in my collection and am really pleased to have purchased this one as it provides so much variety in one coloring book.
The skill level for coloring these designs is a wide variety with some designs being detailed and others open and easy to color. None of them would be what I call intricate and difficult to color.
While you can have access to .PDFs when you purchase this book, my review is based on the book as it is received from Amazon. That way you will know what the pages look like and how they accept color. I like that the publisher provides the digital version as well so you can choose the paper you wish to use and/or to color the pictures as many times as you choose.
This is what I found while coloring in this book and testing the paper with my coloring medium:
100 Different Mandala designs in circular format
Paper is typical of CreateSpace: white, thin, slightly rough and non-perforated. The back of the page is printed black.
The designs do not merge into the binding.
Glue Binding (there is room to cut the pages out if you choose to do so.)
Though you cannot see the bleed-through easily due to the back of the page being printed in black, I recommend the use of a blotter page when working in this book. I use a page of card stock or several sheets of heavyweight paper under my working page. It keeps seeping ink and marring dents from ruining the pages below.
Alcohol-based markers bleed through the page quickly.
Water-based markers bleed through in spots.
Gel pens and India ink pens leave shadows on back of the page. India ink can bleed through if you apply heavily or multiple coats.
Coloring Pencils work well with this paper. I found that I could layers the same color for deeper pigment or multiple colors and I could blend easily using a blending stick. I tested both oil and wax based pencils. I also found that hard lead pencils leave dents through the paper.

Fantastic Cats: Coloring Book for Adults

By: Ruth Sanderson

Rating: 5 of 5

Unlike many of Ruth Sanderson’s recent grayscale coloring books, this lovely book of cat designs are done in line drawing format. The designs show a variety of stylized cats and anthropomorphic cats (those wearing human clothes and displaying human characteristics.) Interestingly enough, it is the latter cats which look most realistic though they are dressed as humans. One of my favorite designs is of a cat in human clothes who apparently has kittens as pets.

The stylized cats have bold lines and have plenty of room for shading and ease of coloring. The anthropomorphic cats are done with a lighter touch and a high level of detail. Most also include some small and intricate areas to color.
There are 24 designs in this book and there are are 12 additional bonus pages that are duplicates of half of the original designs in the coloring book. This is fun to try different techniques or colors on (or to give away to friends if you are so inclined.)
This is what I discovered while coloring in this book and testing my coloring medium on the paper:
24 Cat designs plus 12 bonus designs for a total of 36 line drawing coloring pages
Printed one side of the page
Paper is typical inexpensive quality used by CreateSpace: white, thin, slightly rough and non-perforated.
The designs do not extend into the binding area. The designs have a framing line at the outer edges
Glue Binding
Alcohol-based markers bleed through the page quickly.
Water-based markers bleed through in spots.
Gel pens and India ink pens leave shadows on back of the page. India ink can bleed through if you apply heavily or multiple coats.
Coloring Pencils work well with this paper. I found that I could layers the same color for deeper pigment or multiple colors and I could blend easily using a blending stick. I tested both oil and wax based pencils. I also found that hard lead pencils (like Verithins) leave dents through the paper.
I like to use a blotter when working in the book. I use a page of card stock or several sheets of heavyweight paper under my working page. It keeps seeping ink and marring dents from ruining the pages below.

Colour My Sketchbook Wild 2: Greyscale Colouring Book

By: Bennett Klein

Rating: 5 of 5

I have purchased many of Bennett Klein’s grayscale coloring books and one of my favorites is Colour My Sketchbook Wild. When I saw that Mr. Klein had a follow-on volume, Wild 2, I purchased it immediately and sight unseen. In the Wild coloring books, Mr. Klein steps away from his beautiful and unusual fantasy designs and looks at animals in a much more realistic manner.

I noticed that, unlike the first volume, Mr. Klein’s daughter, Mae, does not seem to be involved in this coloring book. I’ve seen that she has a highly successful coloring book in her own right now. It makes for a difference between the two volumes. The first one had lace-style backgrounds but this one does not. When there are backgrounds in this images, they are more realistically portrayed. Many designs simply do not have backgrounds at all. I like to have the change as it provides a different challenge for me to color.
With grayscale coloring, I prefer to use both my markers and my colored pencils. I use markers for background and first layer of colors and then pencils for details and shading.
The artist has once again provided a table of contents with the title of the designs. While they don’t list the animals by name, Mr. Klein has given a title to each of his artworks, such as: Balanced Beauty (a lovely swan image in yin/yang styling), Butterfly Fly-By (a frog dangling from a branch as a butterfly flies by) and Deco Hive (bees with a highly stylized hive.)
This is what I experienced while coloring in this book and testing my coloring medium on the paper.
25 Hand-drawn wild animal grayscale designs with beautiful backgrounds
Designs are printed on one side of thin, slightly rough non-perforated paper typical of CreateSpace. All of the paper is white; even the one with black background, (it is black tone printed on white paper.)
Glue Binding
Easy to open to flat position for coloring
Designs do not merge into the binding and there is plenty of room to cut pages out if you choose to do so
Alcohol and water-based markers bleed through the page to some degree. Water-based bleed through in spots while alcohol-based bleed through freely
Gel pens and India ink pens leave shadows of color on the back of page. India ink can bleed through if you use multiple layers or apply heavily.
Colored pencils work well with this paper. Both oil and wax based provide good color when I use multiple layers of the same color. I am easily able to blend (using a pencil style blender stick) and layer multiple colors as well. I generally don’t use blender stick with grayscale as I prefer to use lighter color pencils for my blending to mesh the light, medium and dark colors together. Hard lead pencils leave dents through the back of the page.
Because of the bleed through and dents, I suggest (and use) a blotter page below my working page no matter what medium I use. I prefer card stock but several sheets of heavyweight paper work as well.

Adult Coloring Book: Nice Little Town Christmas

By: Tatiana Bogema (Stolova)

Rating: 5 of 5

This is the third coloring book in a new series of Nice Little Town by Tanya Bogema (Stolova). In this book, it is Christmas time in the Nice Little Town. There are scenes from both inside and outside of the house. Christmas trees, snowmen, children frolicking in the snow, cats (including one attacking the tree just like at my house), elves and even Santa are among the designs included.

This coloring book (unlike the two prior volumes) is presented in standard format size at 8.5 x 11 inches. It makes it much easier to color as the details are not quite as small. The designs are detailed and some contain a few small elements but for the most part, I don’t consider it intricate or difficult to color. I hope the designer starts using this larger format for all of her new books.
This is what I discovered while coloring in this book and testing my coloring medium on the paper:
34 line drawing designs of Christmas in a scenic little town (including title and presentation page.) Also included are a couple of sample pages from the artist’s other books.
Printed one side of the page
Paper is typical of CreateSpace: white, thin, slightly rough and non-perforated.
The designs do not merge into the binding area.
Glue Binding
Alcohol-based markers bleed through the page quickly.
Water-based markers bleed through in spots.
Gel pens and India ink pens leave shadows on back of the page. India ink can bleed through if you apply heavily or multiple coats.
Coloring Pencils work well with this paper. I found that I could layers the same color for deeper pigment or multiple colors and I could blend easily using a blending stick. I tested both oil and wax based pencils. I also found that hard lead pencils leave dents through the paper.
I like to use a blotter when working in the book. I use a page of card stock or several sheets of heavyweight paper under my working page. It keeps seeping ink and marring dents from ruining the pages below.

Johanna Basford 2017-2018 16-Month Coloring Weekly Planner Calendar

By: Johanna Basford

Rating: 5 of 5

This is the first weekly coloring engagement calendar I have purchased by Johanna Basford. Compared to other coloring calendars, the paper is equal to or even slightly better. However, the paper is not of the quality of the coloring books. It is more of what I consider medium weight as most mediums either bleed or show through but coloring pencils do not dent through. It is of much better quality than coloring books by CreateSpace, for instance.

The designs in the book are sized appropriately for the book. In some cases, that makes for small and intricate areas to color (especially some of the designs from the already small and intricate Lost Ocean.) Some of the designs are portions of the original designs and thus can be sized up in scale. Most will be easy to color but some will take extra small nib pens and sharp pencils.
The designs are on the left side of the page with the calendar on the right. I like this as I will be coloring each weekly page during the appropriate week. That way if my medium leaks through, it will be marring the week that has just passed. I will still use a piece of card stock (cut to size) under the page so that markers, etc. don’t leak through to the design I colored the prior week.
The page color is slightly ivory and the binding is spiral. The pages are not perforated but you can remove them by cutting them out as the designs do not cross over the spiral area.
I found that both water and alcohol-based markers bled through the page. India ink pens and gel pens left distinctive colorful shadows on the back of the page. My oil and wax based pencils worked well without denting through the page. I was able to layer and blend (using a pencil style blending stick) with ease.

Warwick Goble’s Fairy Tales: A Vintage Grayscale Adult Coloring Book (Vintage Grayscale Adult Coloring Books) (Volume 2)

By: Ligia Ortega

Rating: 5 of 5

This coloring book contains 37 grayscale designs based on Warwick Goble’s Fairy Tales illustrations. The artist’s original designs have been converted and restored in grayscale format by Ligia Ortega. This is my first coloring book by Ms. Oretga and I am very impressed with how well the grayscale has been presented.

The artwork is beautiful and delicate in nature. The figures of the females are elegant and their clothing, for the most part, is richly ornamented. Each design speaks beautifully to the story it represents and should be wonderful to color.
The designs are done in lighter tones which allows more ability to add my own shading but is generally a slightly more advanced form of grayscale coloring. My preferred method is to use a base coat of alcohol-based markers with colored pencil over for details and shading.
This is what I discovered while coloring in this book and testing my coloring medium on the paper:
37 Grayscale designs based on the artwork of Warwick Goble plus bonus designs from other coloring books by Ligia Ortega.
Printed one side of the page
Paper is typical inexpensive quality used by CreateSpace: white, thin, slightly rough and non-perforated.
The designs do not extend into the binding area.
Glue Binding
Alcohol-based markers bleed through the page quickly
Water-based markers bleed through in spots and can pill the paper if too many layers are attempted.
Gel pens and India ink pens leave shadows on back of the page. India ink can bleed through if you apply heavily or multiple coats.
Coloring Pencils work well with this paper. I found that I could layers the same color for deeper pigment or multiple colors and I could blend easily using a blending stick; however, some of the darker areas of the designs had a tendency to smear using this type of blender. I found that liquid forms (Gamsol or mineral spirits) did a better job. This doesn’t bother me as I generally do not use a blender on grayscale designs. I tested both oil and wax based pencils. I also found that hard lead pencils (like Verithins) leave dents through the paper.
I like to use a blotter when working in the book. I use a page of card stock or several sheets of heavyweight paper under my working page. It keeps seeping ink and marring dents from ruining the pages below.